After 2019's genre-defining There Existed an Addiction to Blood, the hype behind clipping.'s second horrorcore opus is unavoidable. Like a s...

Loma never seemed long for this world. Originally a side project for Shearwater's Jonathan Meiburg and Cross Record's Emily Cross and Dan Du...

Away Is Mine now supplants 2017's Introduce Yerself as Gord Downie's final solo release, and while it does not carry the elegiac weight of i...

In spite of Issa Rae's first-time-hosting enthusiasm and two strong performances by Justin Bieber, overall Saturday Night Live was rather of...

Toronto stoner rock powerhouse Sons of Otis return, after an eight year gap, with Isolation. Showcasing their signature brand of pummeling g...

Terra Lightfoot's rockabilly sound is distinct, and Consider the Speed, her fourth full-length album, makes no left turns. "Called Out Yo...

With a dedicated Gen-Z fanbase, beabadoobee — the moniker of musician Bea Kristi — has become a household name to fans of bedroom pop playli...

Ian Daniel Kehoe's music has always felt like a throwback. The multi-instrumentalist — known as a former member of Attack in Black and the d...

Integrating grunge, noise templates and avant-pop approaches, Good Sad Happy Bad (the new moniker for an updated Micachu and the Shapes, nam...

The eight songs that make up Leith Ross' debut EP were recorded in one afternoon, but it's a body of work that doesn't feel rushed in the sl...

At first glance, Sofia Coppola's On the Rocks looks a hell of a lot like a spiritual successor to Lost in Translation. Once again, we've got...